I spotted a book online that grabbed me as soon as I read the premise. The great thriller writer John Grisham agreed to coach a personal friend of his write a first-time thriller novel. I was hooked, mostly because I was curious what Grisham’s advice would be. I’m a professional writer, and I’m always fascinated by how highly successful commercial writers work their magic. This book seemed too good to pass up. The book is called Writing with the Master, and before you run out and buy it, I think you ought to read my article first, because…

Some writers are fans of outlines. Others aren’t. Hence the age-old dichotomy of pantsers and plotters. When I write journalistic work, I tend to use an outline because nonfiction lends itself to “easier” organization. When I write fiction, my brain just doesn’t want an outline crowding it in. That’s when I prefer to make it up as I go along. Turns out, there’s a way to have your cake and eat it too. Here’s how…

Our friend, the thriller writer Robert Swartwood, recently swung through town to participate in the author interview event my wife Denise runs once a month at a local cocktail bar. I’ve known Rob for a number of years, and he’s always a breath of fresh air. I have fun with him every time I see him, and learn so much about the world of publishing. This time was no different. He was in town promoting his new thriller, The Killing Room, which is freaking awesome. (Affiliate link alert.) One of those breakneck novels that keep you guessing, and then blow your mind at big reveals you didn’t see coming…