We’ve been lucky to escape many natural disasters despite living in the American South for 20 years. But all good things must pass. We arrived home after a short book event weekend a few weeks ago to discover how badly our home and city has been ravaged by the after-effects of Hurricane Helene. Parts of the city is underwater. Our home is still standing but buried under giant trees. Many businesses we have come to love and adore are devastated.

I usually talk about writerly stuff at SleuthSayers, the mystery blog, but this week I naturally felt compelled to share my eyewitness report of what we’ve experience on the ground here in Asheville, North Carolina…

As a gentleman of a certain age, I suppose I am shocked that Steven Spielberg’s film Jaws is fast approaching its 50th Anniversary. It’s not a film I saw as a kid. (I was 10 when the film debuted at the drive-ins of my youth.) But as an adult, I’ve not only watched it numerous times, I actually love it as a great film and a great piece of storytelling. Recently, when my wife returned a trip with a girlfriend to Martha’s Vineyard, where the film was shot, she brought back some Jaws swag for me that sent me down a rabbit hole of nostalgia and research…

The only real occupational hazard as a writer is that many people will ask you if you can help them write their book. The only appropriate answer to this question is “Hell no!” For lots of reasons. If they’ve never tried to write before, such people think it’s incredibly easy to write a book. You just sit down and type whatever comes to mind. How freeing! What could be easier? Well, it’s not easy. It’s the toughest and yet most rewarding thing I’ve ever done in my life. And sometimes, despite my misgivings, I help others achieve their dreams. But most people get the brush-off. Why?

I spotted a book online that grabbed me as soon as I read the premise. The great thriller writer John Grisham agreed to coach a personal friend of his write a first-time thriller novel. I was hooked, mostly because I was curious what Grisham’s advice would be. I’m a professional writer, and I’m always fascinated by how highly successful commercial writers work their magic. This book seemed too good to pass up. The book is called Writing with the Master, and before you run out and buy it, I think you ought to read my article first, because…

Some writers are fans of outlines. Others aren’t. Hence the age-old dichotomy of pantsers and plotters. When I write journalistic work, I tend to use an outline because nonfiction lends itself to “easier” organization. When I write fiction, my brain just doesn’t want an outline crowding it in. That’s when I prefer to make it up as I go along. Turns out, there’s a way to have your cake and eat it too. Here’s how…

Back in 2013, when the book that was to become my wife’s first bestseller was months away from publication, I found myself with time on my hands. It had taken her seven years to write and research that book, and we were constantly driving up and down the east coast so she could interview people and investigate archives.

But now her book was done, and something I had wanted to write finally had the breathing room to come to life. I envisioned a multi-book series about the life of Kris Kringle. I was inspired by the Mary Stewart books I’d read as a kid, on the life of King Arthur. The first book in that series focused not on Arthur but on Merlin as a boy. Because it had seemed logical to Stewart that we should understand the mentor before the mentee.

I wanted to do something similar…

Our friend, the thriller writer Robert Swartwood, recently swung through town to participate in the author interview event my wife Denise runs once a month at a local cocktail bar. I’ve known Rob for a number of years, and he’s always a breath of fresh air. I have fun with him every time I see him, and learn so much about the world of publishing. This time was no different. He was in town promoting his new thriller, The Killing Room, which is freaking awesome. (Affiliate link alert.) One of those breakneck novels that keep you guessing, and then blow your mind at big reveals you didn’t see coming…

If you are a writer who works with an agent, you probably ought to embrace bifurcation. That means that any royalty payments due you by your publisher comes directly to your bank account instead of taking bizarre zigzag to your agent’s account first. My wife and I have bifurcated our payments with numerous publishers, and the process isn’t too onerous. I spell out the process, step by step today at SleuthSayers, the mystery blog, in a post entitled…

I hate reading those articles that insist “Every writer needs to do THIS!” or “If you’re not doing X, you’re doomed to fail as a writer!” But I may have just written that article. About two years ago, when I was on a research trip with my wife, I read a book that I have had my eye on for years. It’s one of those books about writing that kept popping up on my radar, called [affiliate link throughout this article] The War of Art, by Steven Pressfield.

I’m talking about about this today at SleuthSayers, the mystery blog, in a post entitled,

The Pressfield Synchronicities!

As I explain in the post, once I read the book, which I found fascinating, I kept running into people who either had read it or have been meaning to read it, or needed to read it. You probably need to read it, too. Here’s why..